Always set ACR to 16bits when dealing with raw images and 16bit TIFFs. This may only become apparent when you start grading and pushing the image around. If you set ACR to 8bits you will always get a lossy image and likely some posterization. While the DNG files are 14/12/10bit, ACR can export in 8 or 16bit and processes in half-float space. I think there may be some confusion here about image bit depths, workspace bit depths and Adobe specific architecture. im sitting 2 meters from a 75 inch tv when editing an watching content, maby thats why i see the degradation so well. its good but i still think it could be better. Im guessing its alot like a prores 444 file? really magical canon colours, i place dng folders in a 8bit sequence in aftereffects then export as a totally uncompressed AVI file straight from ae. im on win10, i actually have bought cinelog c, havnt gotten into it yet, but i really like the natural colour of acr with a slight saturation gain for a start. will upscaling to 4k before compressing to +200mbps help maby, or both? (this ive heard is good for publishing on youtube). will filmgrain help when compressing to mp4. Want to give a client a usb with a high quality mp4 for them to play on pc or to tv.Ģ00mbps mp4 dual pass from is a bit irritatingly far away from cinemadngs in terms of quality.ġ.

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